Fabriano Accademia drawing paper is made of high quality lignin free cellulose. It is acid free and archival. The paper has an internal and external sizing making it very resistant to repeated erasures. It is perfect for artists and beginners. Ideal for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. The 200 gsm it is also suitable for gouache and watercolour, Felt markers, airbrush, monprints, lithography and screen printing. Avaliable in 160 & 200gsm sheets 700mm x 1000mm.
A wide range of beautiful Japanese papers for all printing, drawing, painting and craft applications. All Awagami papers are acid- free and resistant to light. Those listed as having 4 deckle edges are hand-made, and have a fine laid appearance.
Kitikata SH-16 WARM 36gsmDark cream, 36gsm, laid, for litho, silkscreen, etching, 52cm x 43cm, 4 deckles.Kozo 7 Monme 40gsmIvory, 40 gsm, lightweight, for litho, etching, and relief printing, 98cm x 66cm, 4 deckles.Awagami Hosho 80gsm
Tough, non-tear Mylar stencil film.
Create or copy designs and turn them instantly into templates. Draw or trace your design with a pen, cut out easily with scissors or craft knife.
Will not tear or lose its ability to lay flat. Re-use many times.
0.007" (0.178mm) thick.
White rag paper 150gsm: These are tough and rugged handmade papers with strong, individual character and great beauty. They are made from 100% cotton rag, which is long fibred and produces paper of exceptional strength.
Mi-Teintes, the most versatile paper is an acid free (except Stygian Black) lignin free vellum drawing paper.
It has a high rag content that ensures long life without deterioration.
Coloured in the pulp the shades are highly light resistant.
Ideal for pastels, pencils and crayons.
Also for wet techniques such as gouache, watercolours, acrylic and screen printing.
Please note not all colours are available in all sizes. Our limited selection is correct.
Chinese rice paper is known for great strength and durability. It has a white, soft yet rough surface ideal for woodcut or lino block printing, calligraphy and drawing.
Made from mulberry bark fibre perfect for Sumi-e or Chinese brush painting, also good for inkjet-printing, calligraphy, mounting, book Binding, block printing, rubbing, stamping, kite, lantern, window or screen covering and collage.
Suitable to most water-based art media including watercolours and fluid acrylics such as Golden Fluid.
Rosapina paper contains 60% cotton.
Relatively unsized soft paper, particularly good for aquatint, screen printing and lithography.
Excellent soft neutral student paper for submission prints.